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Thursday, April 30, 2020 | History

4 edition of Seventeenth-century cultural discourse found in the catalog.

Seventeenth-century cultural discourse

France and the preaching of Bishop Camus

by Thomas Worcester

  • 6 Want to read
  • 33 Currently reading

Published by Mouton de Gruyter in Berlin, New York .
Written in English

    Subjects:
  • Camus, Jean-Pierre, 1584-1652.,
  • Catholic Church -- France -- Sermons -- History and criticism.

  • Edition Notes

    Includes bibliographical references (p. [258]-293) and index.

    Statementby Thomas Worcester.
    SeriesReligion and society ;, 38, Religion and society (Hague, Netherlands) ;, 38.
    Classifications
    LC ClassificationsBV4208.F8 W67 1997
    The Physical Object
    Paginationix, 306 p. :
    Number of Pages306
    ID Numbers
    Open LibraryOL661225M
    ISBN 103110152207
    LC Control Number97006660

    In Mediating Culture in the Seventeenth-Century German Novel, author Gerhild Scholz Williams argues that categorizing him thus is to seriously misread him and to miss out on a fascinating perspective on this dynamic period in German primarily lived and worked in the vigorous port city of Hamburg, which was a “media center” in Cited by: 1. This study examines women's prophetic writings in seventeenth-century Britain as the literary outcome of a discourse of social transformation that integrates religious conscience, political participation, and gender identity. The following pages a.   A History of Popular Culture in Japan: From the Seventeenth Century to the Present - Ebook written by E. Taylor Atkins. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read A History of Popular Culture in Japan: From the Seventeenth Century to the .


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Politics of Discourse not only increases our understanding of seventeenth-century England but also advances the study of subjects of interest to cultural critics of all historical periods: genre and canon, the interplay of institution and imagination, and the symbols of power. Contributors: Barbara K.

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The book locates a rupture in English culture and epistemology not at the end of the eighteenth century (when it occurred in France) but at the end of the seventeenth century. But with the advent of rationalism in the seventeenth century, the Great Confinement took place, and institutions of confinement began springing up all over Europe, institutions in which the insane, the indigent, the crippled and the criminal were all thrown in.

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ix, ) Jean-Pierre Camus became bishop of Belley, a remote diocese on the border between France and Savoy, in 16()9 and retained that office until he resigned it in Diego Velázquez spent his formative years at the center of artistic life in seventeenth-century Seville, a gateway to the New World characterized by intellectual debate, religious fervor, and mounting ethnic tensions.

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Every new world age must be preceded by an Event of such momentous significance that it causes a tectonic shift, or discontinuity, in the ontological architecture of a society.

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At Zero Point presents an entirely new way of looking at Restoration culture, discourse, and satire. The book locates a rupture in English culture and epistemology not at the end of the eighteenth century (when it occurred in France) but at the end of the seventeenth century.

Rose Zimbardo’s hypothesis is based on Hans Blumenberg’s concept of “zero point”—the moment Cited by: 9. Seventeenth-Century Cultural Discourse: France and the Preaching of Bishop Camus. (Religion and Society, ) Berlin and New York: Mouton de Gruyter, ix + pp. index.

bibl. CULTURAL DISCOURSE ON XUE SUSU, A COURTESAN IN LATE MING CHINA - Volume 6 Issue 2 - Daria Berg If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.

“Miss Emotion: Women, Books and Culture in Seventeenth-Century Jiangnan.” In Love, Hatred and Other Cited by: 2. Seventeenth-century France saw one of the most significant 'culture wars' Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics.

Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. About the Author Ying-shih Yü is a preeminent historian of China. Awarded the John W. Kluge Prize for achievement in the Study of Humanity and the inaugural Tang Prize International Award in Sinology, he has published more than thirty books and five hundred articles and essays on Chinese history, thought, politics, and culture.

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Thank you for your : Gerhild Scholz Williams. Volume 1 of Chinese History and Culture explores how the Dao was reformulated, expanded, defended, and preserved by Chinese intellectuals up to the seventeenth century, guiding them through history's darkest turns.

Essays incorporate the evolving conception of the soul and the afterlife in pre- and post-Buddhist China, the significance of. In this anthology, N.H. Keeble illustrates both the historical circumstances of women's lives in the seventeenth century and the cultural notions of woman which prevailed then.

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For the joy they bring me, I would like to dedicate this book to Grazia, Christian and Thomas. Cultural Exchange in Seventeenth-Century France and England View larger image.

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Essays incorporate the evolving conception of the soul and the afterlife in pre- and post-Buddhist China, the significance of eating.

Comparing itself to the European or American, the child sees itself with nothing to match the imported books, machines, and goods of the "real" world up north. Since the dawn of its exile culture in the late seventeenth century, the child has been told, again and again, that its language, rituals, and ideas have no : Barbara Lalla.

Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville has wide-ranging methodological implications for the study of Spanish art, which has tended to lag behind in this regard, and similar studies on other Sevillian artists—Francisco Zurbarán, Alonso Cano, Bartolomé Esteban Murillo—would be a welcome addition.

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